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Students write a short paper two to three pages and give an oral presentation reflecting on their internship experience. Instructor s : D. Students receive units of credit at completion of course. Course meets once in Spring Quarter and once in Autumn Quarter. Instructor s : C. Dostoevsky was an inveterate risk-taker, not only at the baccarat tables of the Grand Casino in Baden-Baden, but in his personal life, his political activities, and his artistic endeavors.

This course is intended to investigate his two greatest wagers: on the presence of the divine in the world and on the power of artistic form to convey and articulate this presence.

Dostoevsky's wager on form is evident even in his early, relatively conventional texts, like The Double. It intensifies after his decade-long sojourn in Siberia, exploding in works like The Notes from Underground, which one-and-a-half centuries later remains an aesthetic and philosophical provocation of immense power.

The majority of the course will focus on Dostoevsky's later novels. In Crime and Punishment Dostoevsky adapts suspense strategies to create a metaphysical thriller, while in The Demons he pairs a study of nihilism with the deformation of the novel as a genre.

Through close readings of these works we will trace how Dostoevsky's formal experimentation created new ways of exploring realms of existence that traditionally belonged to philosophy and theology.

The results were never comfortable or comforting; we will focus on interpreting Dostoevsky's metaphysical provocations. Instructor s : R. Mindfulness: Experience and Media. How do we experience media of all kinds with or without awareness?

Methods of mindfulness offer principles and practices of awareness focusing on mind, body, and embodied mind. Mindfulness a flexible, moment-to-moment, non-judging awareness is an individual experience and at the same time, practices of mindfulness can be a mode of public health intervention.

Mindfulness involves social epistemologies of how we know or don't know collectively, as we interact with immediate sensory experience as well as with mediated communication technologies generating various sorts of virtual realities from books to VR. In addition to readings and discussions, this course teaches embodied practices of attention and awareness through the curriculum of Mindfulness-Based Stress Reduction. Instructor s : M. An instructor within Humanities agrees to supervise the course and then determines the kind and amount of work to be done.

Students must receive a quality grade. Students may not petition to receive credit for more than two HUMA courses. Students may register for this course using the College Reading and Research Form, available in the College Advising offices. This form must be signed by the instructor and the Director of Undergraduate Studies and then submitted to the Office of the Registrar.

The University of Chicago. Humanities Toggle Navigation. Search Catalog. General Education Sequences Writing Seminars Collegiate Courses General Education Sequences All first-year students take a Humanities sequence that engages them in the pleasure and challenge of humanistic works through the close reading of literary, historical, and philosophical texts.

Philosophical Perspectives I. Human Being and Citizen I. Human Being and Citizen II. Language and the Human I. Language and the Human II. Language and the Human III. Poetry and the Human I. Poetry and the Human II. Poetry and the Human III.

Humanities Writing Seminars. Keyboard Studies for Non-Music Majors. Keyboard Studies for non-Music majors Instructor s : C. Reading Course. University Homepage My. Print Options. Send Page to Printer. Download PDF of this page. Blaze your own educational pathway.

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An interview in German with me on the blog Samstag ist ein Guter Tag. An interview with me in Bear Mais magazine 42 in Portuguese. An article on Bear Nerd , a Brazilain bear site in Portuguese. I believe it's in Spanish - happy translating! Most of all your ability to weave an interesting story with believable characters and plot lines. While your artwork is extremely well done, I found myself really being drawn into the storyline.

There were also little-known gems like the Classics Illustrated Comics Story of Great Scientists such as Einstein, Curie and Pasteur , with its beautiful, uncredited artwork and delight in learning about the world around you.



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